Daws Butler spent the greater part of his career as one of the premier voice-over actors in Hollywood- providing the voices for such well- known characters as Yogi Bear, Huckleberry Hound, Quick-Draw McGraw, Snagglepuss, Jinks the cat, Dixie the mouse, Augie Doggie, Peter Potamus, Wally Gator, Hokey Wolf, Super Snooper, Blabber Mouse, Cogswell Cogs, Elroy Jetson and many others. He also provided the voices for such long-running commercial characters as Snap, diminutive companion of Crackle and Pop of noisy cereal fame, as well as Cap'n Crunch, spokesman for a somewhat quieter breakfast treat. Butler was born in Toledo, Ohio and spent his formative years in Oak Park, Illinois. Although his initial ambition was to be a cartoonist, he had a talent for vocal humor and mimicry as well. Paradoxically, he was also quite shy. As a sort of self- imposed therapy, he forced himself to address large audiences by entering local amateur contests and performing impersonations of Franklin D. Roosevelt, Rudy Vallee and a Model T Ford starting on a cold morning (an audience favorite). He found that the laughter and applause he got in response was well worth the effort and it clinched his decision to pursue an acting and performing career. Eschewing the last few months of his senior year in high school, he began appearing in Chicago theaters and nightclubs along with two other impersonators he had met along the way. Because they all maxed out at around five feet, two inches in height and primarily did impressions of radio personalities, they billed themselves as "The Three Short Waves." After two years in the Navy during World War II, during which he met and married Myrtis Martin of Albemarle, N.C. (whose next-door neighbor provided the inspiration for what would later become the southern drawl of Huckleberry Hound), Butler ferried his wife and son out to Hollywood. He finally broke into radio, performing in dramatic as well as comedy programs and specializing in dialects and a wide range of vocal characterizations. In 1949, Butler and Stan Freberg were featured in a new television puppet show called "Time for Beany." Butler was the voice of a propeller-capped kid named Beany while Freberg voiced his best pal, Cecil the Seasick Sea Serpent. During five years of five shows a week, they were honored with two Emmy award s. At Capitol Records in the early 1950s, Butler and Freberg co-wrote and co-voiced a comedy record takeoff on the TV show "Dragnet," called "St. George and the Dragonet." Not only was Jack Webb flattered and amused by the record, but it was the first comedy record to sell more than a million copies. Butler's and Freberg's partnership produced several other comedy platters beloved by disc jockeys across the country, even today. Butler was also a part of Freberg's comedy ensemble on the Stan Freberg Radio Show in the summer of 1957 and on a later and very popular comedy single called "Christmas Dragnet." After lengthy and very productive collaborations with famed animators/directors Tex Avery and Walter Lantz, Butler embarked on yet another inspired partnership, with William Hanna and Joseph Barbera at Hanna-Barbera Productions. There, beginning in the late 50s, Butler created his most famous cartoon characterizations, aided and abetted by another gifted voice actor, Don Messick-Boo Boo and Ranger Smith to Butler's Yogi Bear and Pixie the Mouse to his Dixie, among others. For legendary cartoon producer Jay Ward, Butler, along with fellow actors and friends June Foray and Bill Scott, performed in two animated series, "Fractured Fairy Tales" and "Aesop and Son." His long-running Cap'n Crunch character was also a Jay Ward creation. In his later years, Butler established a popular and respected actors' workshop in his home, training talented students not only in voice- over techniques, but in all areas of acting, including the physical. On that subject, especially, one had only to witness Butler's histrionic physicality when voicing Yogi Bear or his laid- back, sleepy-eyed mien as he became Huckleberry Hound to understand why he considered facial expression and physical movement as essential as sound in producing a living, breathing character. One of Butler's star workshop students was Nancy Cartwright, later the voice of Bart Simpson on "The Simpsons." Daws Butler passed away on May 19, 1988 of a heart attack, having just completed three Yogi Bear films and 15 new half-hour Yogi Bear cartoon shows. He also lived to see the rebirth of The Jetsons for a new generation, voicing 30 of the new shows along with all the members of the original cast. During his longest- standing creative collaboration, the 30-odd years with Hanna-Barbara Productions, Daws Butler performed in the neighborhood of 40 different characters. In the years that followed his death, seven actors were required to replace them all.

Substituted for Mel Blanc as Barney Rubble on "The Flintstones" (1960) (while the former recovered from a serious car accident) in 5 episodes from 1961: "Droop Along Flintstone", "Fred Flintstone Woos Again", "The Hit Song Writers", "The Rock Quarry Story" and "The Little White Lie".Voice of cartoon characters like Yogi Bear and Huckleberry Hound.Voiced the characters of Fred and Barney in "The Flagstones" - the 42-second pilot for the show that eventually became "The Flintstones" (1960).Close friend and mentor of Nancy Cartwright , best known as the voice of Bart on "The Simpsons" (1989).His attempts to overcome shyness actually predated the amateur contests that he entered. When he was a junior in high school, he took Public Speaking. That was his first step. He claimed that he made a gag routine out of every speech that he gave (and in the process, antagonized his Public Speaking teacher).The story of where Butler's Cap'n Crunch voice came from is more interesting than simply that he was imitating late actor Charles Butterworth . Daws originally used that voice as a king in countless "Fractured Fairy Tale" cartoons (from the "Rocky and His Friends" (1959)). After Jay Ward told Butler that he felt that this would be a good voice for Cap'n Crunch, never again did he use that voice for cartoons outside of these commercials.Following his five-year run on puppet show "Time for Beany" (1949), Daws did struggle for a while. Many producers and directors refused to believe that he could still do cartoon voices. They told him, "We're not doing anything with puppets anymore!" So Daws sent out letters to 100-200 Hollywood producers, telling them that he had talent to do voices and he could also write comic material. The remarkable thing was that he did not use a mimeograph or photocopier (the latter technology being unavailable at the time). Daws actually wrote out each and every one of those 100+ letters individually.His very first cartoon character was a kind of "smug" British character, as he termed it. He recorded that voice sometime in the 1940s. This came about after he tried to break into cartoon voices at Warner Brothers. Everyone asked, "Why do you bother? Mel Blanc does everything." Warners did not use him initially, although it later would use him (without on-screen credit) in several of its cartoons in the late 1950s -- most notably as the voices of Ralph Krumden and Ned Morton in "The Honeymousers". Warner also referred him to Johnny Burton and Tex Avery , who helped him get that very first voice credit.After he finished his service in the Navy (in World War II) and decided to take his family to Hollywood (rather than New York), they made the trek from Illinios with bad brakes all the way.Sons Paul (in music), David (advertising), Don (mailman in Beverley Hills) and Charles/Chaz (doing odd jobs). Their mother Myrtis is 90.Friend and mentor of Lee Harris , who did voices for Men in Black (1997), among other recorded and live performances.